Traditional Southern Appalachian Mountain Music

Augusta Heritage Center is where I first learned to play old-time music on the fiddle at a workshop with Gerry Milnes in 1988. Some of the people I met that week continue to have the greatest influence on my own playing: Bruce Greene, Melvin Wine, Clyde Davenport, Gerry Milnes.

Earlier influences:
The Darlings from The Andy Griffith Show
Flying W Ranch
Notes on the Teaching and Learning of Old-Time Fiddle, by Michael Frisch
the last 10 seconds of Tanya Tucker's Old Dan Tucker's Daughter (1974)

I've been to visit with Clyde Davenport a couple of times at his home. I've learned several fiddle tunes from him, and I'm starting to learn some of the banjo tunes he plays. When I first visited Clyde, I played the tune Puncheon Camps which I'd learned from a tape of him. Afterwards he said to me "You got that tune, but you're playing it all wrong!" And he was right -- I had all the notes, but it didn't sound right. He proceeded to show me some of what I needed to do to play the tune.


Old-Time Fiddle Tunings

What really matters here is the intervals between the strings. Many old-timers tuned their fiddles lower than A = 440 Hz, sometimes as much as 2 whole steps lower.

strings notation intervals key name (typical tune)
GDAE P5 P5 P5 G/A/D/C Standard Tuning
GDAD P5 P5 P4 G Gee-Dad Tuning
EDAE m7 P5 P5 G (Glory in the Meeting House)
AEAE P5 P4 P5 A Cross Tuning,
High Base
AEAC P5 P4 M3 A Black Mountain Tuning
(Jack of Diamonds)
AEFC P5 M2 P5 A (The Original Grey Eagle
played by Marcus Martin)
ADAE P4 P5 P5 D D Tuning
AEAD P5 P4 P4 D Old Sledge Tuning
DDAD P8 P5 P4 D Dee-Dad Tuning
(Bonaparte's Retreat)